In Blackmail, the small children are at play. Even one of those dastardly eggs cracks open against a windowpane in To Catch a Thief. Indeed, most of his tales are rife with policemen or detectives heroes and villains alike dangle from extreme precipices. “The only way to get rid of my fears is to make films about them,” he said. Many things frightened Alfred Hitchcock: policemen, heights, eggs (yes, eggs!), and small children. Hitchcock aficionados insist the director appears again amidst an angry mob later in the film, but this sighting continues to be disputed (see photo above).īiographer Patrick McGilligan says the cinematic debut was “intended as a wink at the press, rather than an attempt to launch himself as a public figure.” Others claim the cameo was spontaneous, that the director was just stepping in to fill the scene when there weren’t enough extras on set.Įither way, The Lodger was the first of many films to go off with a Hitch. He called The Lodger his first real film, and the silent thriller also marks his first cameo appearance where he’s a reporter toiling at his desk with his back facing the camera. Even from behind, Hitchcock is unmistakable.
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